Exercise: Client Visuals

Exercise: Client Visuals

For this exercise I was asked to pick two illustrations and reverse engineer them to discover what the client visual would've looked like. I tried to take the illustrations I chose and reproduce them with as fewer lines as possible so it would achieve as much of the same effect so a client can imagine more what the final piece will look like.

The two illustrations I chose were by Maurice Sendak and Oliver Jeffers respectively. I love both of these gentleman's styles. 








Here were both my client visuals, I for this to work I thought the most important thing was capturing the emotions and facial expressions of the characters, because these were people and had faces and weren't just objects, one line that isn't in the right place can completely change the whole image.

Comments

Post a Comment

Popular posts from this blog

Abstract Cities

Image
This is one of the final tasks in part 3 before the assignment, its all about using colour to create a series of abstract designs that represent cities. The challenge was to balance dominant and subordinate colours and deciding the positioning of the blocks as well as colours used. Before I went into this I browsed other peoples take on this exercise and see the angle they took, the vast majority chose to take images of the city and create abstract remakes of that image. Now whilst these are all good ideas and they turned out well I wanted to steer away from that as often there is a lot of dead space in these images such as sky, fields and beaches and are just one colour. I rather liked the piece by Ben Nicholson and loved the style and how all the colours interacted with each other.  My idea was to take elements of the city and represent them with a block of colour, they could be literal like the colour of the flag or symbolic like using a block of gold to represent old bui
Read more

Exercise: Giving Information

Image
For this exercise its all about information graphics and how they are specificily designed so that the information on them is easily identifiable and legible. Ive always loved the complexity of timetables and city maps. For example the london underground map is so complex but yet people can deciper the information because its displayed in an organized way. Also I also feel that a lot of the reason why things are readable is down to the choice of color, fonts and layout. These 3 things amongst others feed into it being a successful infographic.  I feel like the stand out feature for this infographic is the color choices, for starters the designer has chosen pastel colors which are innocent and gentle like the topic itself (babies). The second decision I think is the focus on illustrations, flat 2d illustrations like the ones here are almost considered icons. I think this works in this type of infographic because of how its meant to be asthetically inviting, people want to read
Read more

Importance of Critique

Image
Self-critiquing is something that I need to improve on, it was only an issue once it was raised in this part of the course. Basically, I often will think I've finished a certain project and have it critiqued by either my dad or in this case my tutor. Deep down I know that there are faults with it but for some reason, these faults only truly come to light when someone else gives their critique. It's having that new perspective on work, you've been sat in front of that project for what could be hours, you then show it to someone new and they spot all the faults that you have been oblivious to, for me I think I spend too much time on one project, it often becomes a monotonous chore, as a budding designer I want to have fun with design, not get bored. I think that's where the main source of the problem arises. Granted I don't have the longest attention span however when I get bored of designing and it starts to become something I feel like I need to complete rather than
Read more